Screenwriters can fall into a jealous love with their protagonist, wanting their beau’s life to be as simple and worry-free as possible, leaping in to push aside obstacles and tribulations.
And like many a relationship, the rest of the world doesn’t see things through gooey eyes and instead are sickened, or bored by the company of turgid, lacklustre secondary characters and pedestrian stories.
So it is to Stanley Kubrick I give thanks for Dr Strangelove and showing that proper love for a protagonist is to surround them with the worst kind of people – people who don’t want to do as their told, or what you want, but what they want.